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where we ponder expressing love in the post modern era after a long series of jaded experience in prose form

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Saying I Love You

by tyson moore

 

I am a member of the modern socially disaffected who has difficulty with traditional folkways that long ago lost their meaning. Among those that I question in the department of commitment are marriage, career, and saying “I Love You”. We no longer expect our marriages to last forever, which is obvious by our divorce rate. If we do, then we are as delusional as the burgeoning twenty something thinking they will keep the same job until they retire or the college graduate hoping for a future with a Philosophy degree. Recently, I have come into skepticism of my skepticism about saying “I Love You”.

As a young man I threw the word around effortlessly, like most young men do. I meant it as I understood it every time it was first said to a person. I am sure they meant it, as they understood it, every time they said it to me. After a million times it lost the original value. It was like the first time I ate Mediterranean food versus eating it now. It still feels good, but it is not the same. Looking back, there are dishes of hummus and tabouli that fell under par, although still wonderful. I said I loved them at the time. I appreciated them for the delicacy they are. I even liked them more than a simple hamburger. In the grand scheme of dining they were better than most. I did not love them. Looking back, even at my first time, there is only one Lebanese restaurant that has ever captured my heart above and beyond all the rest. I made uncontrollable sounds of enjoyment while eating their tatziki coated schwarmas, the hummus had the right amount of spice on top, and even the baba ganoush made me lick my chops. I can safely say that I loved their food.

Before you get all women’s lib and pointing of the misogynist finger at me, I am not comparing my sex life to food. In that arena I would not feast at any old greasy spoon. I am, however, talking about something you whatever so much that you would say you love it. Do you mean it? Did I? Aristotle talks about the different types of love from filial or brotherly to romantic. We all know the difference. I am not going into that. Saying “I Love You” to our parents and to our partners is a different form of the same emotion with different actions and expectations to express it. I told my first lover that I loved her. I did. I had never experienced that emotion in that way to that degree ever in my life. My next lover I did not love as much, but I told her anyway. It compared. I categorized it as the same. Since, I have had lovers that I loved more, and lovers that I loved much less. Looking back, there are few that I can still say that I truly loved in the romantic sense and possibly still do. Isn’t true love timeless?

There are also close friends that I inform of my love on a regular basis, which is where my questioning of love arises. With my futureless degree in Philosophy I examined my world under a cultural microscope. My university focused primarily on the analytic side of philosophy, meaning a heavy dosing of the jargon published philosophers use. When applied to vague concepts like that of “love” it spans into nonsensical realms. Words lose meaning when there are better words to describe them. Then, my creative side further interferes with this dissection of language. I like to use words with one social connotation to incorrectly describe something else. Hopefully, the reader sees through the trickery to agree with the usage. This lifestyle has made me wary and weary of words without action, especially in the concerns of love.

Many relationships vocally profess their love for each other at any transitional moment. They leave each other’s company. “I Love You.” They go to sleep at night. “I Love You.” They have sex. “I Love You.” They walk in the park. “I Love You.” They make up from a fight. “I Love You.” Sometimes in the middle of a fight. “I Love You.” Like those Holiday Christians they water the sentiment down. Over and over repetition brings down the property value of love. I quit saying it all together until I remembered what it really was. I hesitate when I say it to make sure that it is for real. Sure, it slips out because it is nonsensically all around me and I have to internally debate if it was the truth. I justify it and make it right within myself like a good socially disaffected American would.

There is heavy weight applied to a word like “love” when combined with specific social situations. I realized these expectations, which is what makes me hesitant, but I never considered the situations necessary for the over empowerment of the word until just the other day.

When it comes to intimate sexual relationships, I am hypersensitive to the blasé saying of “I Love You.” If it is too soon when it is said, the relationship could very well be cut short. The partner could be too willing to put their heart on the line and may expect the other to thrust their’s out there without thinking of consequence. Life experience has taught me not to be that way. I am jaded. Bad lamb wrapped in pita bread has given me food poisoning. Too much ice cream left me doubled over in lactose intolerant cramps. I am no longer as quick to say I love that Demazi buffet. But when a friend of mine grinds the chick peas down from scratch and adds just enough garlic with the olive oil, I know there is love mixed into the recipe. I will gladly tell them so without a second thought. Just the other day I did have to think twice.

I have developed a romantic entanglement with a person who has been a friend of mine for more than seven years. She is the sister of a friend that I am happy to regularly inform of my love. That friend considers our love to be like siblings of choice, which I would agree. I have even told the sister of the friend that I love her in a different capacity than the hot and heavy steamy kind. Honestly, I have always valued that type of love more than the intimate kissing kind. There is a different expectation at a much more comfortable and reasonable level. It can be worthwhile to have an intimate sexual relationship with someone who is a good friend. The risks of what can be lost is greater; however, the rewards are much more satisfying.

Just the other day the sister of my sister reheated some leftover ravioli because I was hungry. There was not enough sauce for a bowl. She whipped some together with parmesan cheese and chicken bits while the noodles spun around in the microwave. It was really good. I loved it. I loved her for making it. I almost told her. A moment before my lips could utter the phrase, this entire essay ran through my mind. It stopped me cold in confusion with my rationality. Being nihilistic in the true sense of the word, rather than the pop sense of nonbelief, I amended my system based upon new data. The moment passed. I stayed silent. It would have been awkward to tell her then. I told her later.

Thankfully, our dialogue as friends has remained intact with an addition to the type of dialogue allowed. Many years ago we lay in bed talking of far reaching ideas. Now, we can do that naked with more frequency. She agreed with my assumptions of the word and the usage as well as the social situations that imply something different than others. I am not sure if I love her in one way right now. She is not sure is she loves me in that way either. At the same time we are both sure that we love each other in another way that is acceptable to feel at this point in our seven year friendship. I hope to never lose that love no matter what happens with the other type.

 
     
 
originally posted on Myspace Oct 2, 2007 1:52pm
 
 
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I Heart You

an animal heart valentines card

photographed by Ryan Davis

all rights reserved

 

This was a very special piece for me. It still is. She still is. As the world turns we all end up in different places. These places stretch beyond geographic locale into mental terrain and life situation. Thus, we move, but we must never forget where we have been. We must never deny the emotions we have felt. I was surprised to learn how many people who have shared intimacy now harbor bitter resentment toward the other or at the very least, purposefully never speak. To me this is absolutely ridiculous. Remember your loves and keep on loving them. I still do. All of them. Despite the lack of direct communication, despite what I am traversing, despite where you are climbing toward on that slippery rope, despite the miles between us in that figurative geographic vs mental analogy, despite . . . well, everything i still love you. I always will.

I could mention roads, too. This would be a nice segue to introduce my guest artist, Ryan Davis. He has a thing for the Road even though it is not necessarily the prominent character in all of his photography, but it hangs there in the shadowy mists of lingering old towns we visit on trips still holding onto their previous lives with the memorial remnants of their own exes. He travels through the back country of the midwest wearing his snap down cowboy shirts, snapping pics of the dark crumbling with angelic glows piercing the seams of his illuminated outline. He has a vulgar sense of the sensitive like a Pahlaniuk of the visual media making Hallmark cards for the disenfranchised.

Going back in time through the 78 pages of photos makes you wonder when exactly Ryan Davis decided to become a photographer, which is the exact reason I travel back that far. He starts with the typical "shots of my friends doing silly things" and moves onto the equally obligatory "this is where I went on vacation." Then, about midway through things begin to formulate with the Jefferson Street Bridge. He take a patch of photoshop color tweaking, still nervous about the results, so he drops the original with a couple alternates. The originals start fading away, replaced by those darkened shots that seem to have twinges of silver highlights laced into the backgrounds. There he finds his voice, which speaks loudly.

Currently, he is working on a "Year in Photos" project trying to take a shot every day. Each one usually has a nice story to tell about his childhood, his pregnant wife, or a posed horrific scenario complete with a bloody hand. This last mention happens to be one of my favorites. I guess I am a sucker for the photographer who likes to stage themself into the scene. Flickr is over run with women who are doing it, which makes it refreshing, albeit a bit disturbing, when we see it from the male perspective. I am guessing one of his recent favs is the Break Down. It is a good one to be proud of. Again, he utilizes that ironic humour, dark undertones, and metaphoric sense that permeates the best of his self portraits even if he is not posing on abandoned furniture.

The particular shot I chose for this story, "I Heart You," was the 02-14-2009 in that year. In a parade of beef hearts strewn about the photostreams on that day, Mr Davis stands above them all. I should know. I looked through them all. When I set off on the search I had specific requirements in mind. It needed to be heartfelt, sensitive, touched with gore, real (or at least real enough looking), and consisting of a tainted sterile background like a hospital for the title. What I was hoping for was a surgeon in the midst of open heart surgery. When I eventually stumbled on "I Heart You," the requirements were met. Further, investigation of the photostream and website made me more excited to talk about him here. Consistently, he surprises and startles with humility and raw emotion. So, I waited the extra days to get his permission. Thanks, Ry-o.

 

ryo-vision photostream on flickr

 
story originally written Oct 2, 2007
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HEAD CONTENT FOR THIS PAGE
 
title: Saying I Love You | prose | love in the post modern era | by tyson moore | stories of the flea
 
decription: Saying I Love You | a prose form short story about expressing love in the post modern era after a long series of jaded experience | by tyson moore | stories of the flea
 
tag list: saying i love you, i love you, love, post modern, modern, prose, stories of the flea, storiesoftheflea, stories, flea, short story, tyson moore, tymora, tymo, tymora42, tymo42, tales, writings, musings, rants, fiction, realism, life, world, sentences, pictures, personal, feed, blog
 

Creative Commons License

This work by tyson moore is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License unless otherwise specified. Please give credit by including the web addresses of tyson moore, Stories of the Flea, and Saying I Love You. Permissions beyond the scope of this license may be obtained by contacting the author. See PROFILE for more info.

he image I Heart You used by permission of Ryan Davis. For licensing information please visit his website.

 
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I like faeries and the metaphor of zombies. I do not pretend to understand Chompski or Einstein's theory of special relativity. I think I have a firm grasp on Dasein, but can we ever really be sure? I write about my realities with fantasi twists. I twist my fantasies with realities. I have written entire books, movies, and full scale epics in my head. This is the collection of those thoughts onto less abstract medium.
 
 
 
 
         

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