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where we have fake relationships and a drinking contests, experience sadness, break hearts, and burn a phonebook

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Once Upon a Darkness

by david tyson moore

---

 

Poetry? I hate poetry.
I hate the open mic
which is really just verbal masturbation
The audience applauds
as the semen drips off their face
because they know soon it will be there turn
to take the stage
and jerk off onto the crowd

I hate the slam poet
which is really just a verbal assault
The judges score them
on their enthusiasm to rhythmically hate
because they want to be sensetive to the plights
of these madmen
that are pointing the finger at them

I hate the diary poet
which is really just verbal diahrea
The writer studies your reading
as the half caf mocha latte tumbles their bowels
because it is easier than talking to you
to hand you a journal
and expect you to pour over their scrawled emotions

I hate the blog poet
which is really just a verbal excuse
The continuity for a story is lost
as the second long visits pile onto the heap
because not even your family wants to read
about this crap
that you threw together one afternoon

Poetry? I hate poetry.
Here's some poetry.
I found it on my smart phone
sandwiched between a grocery list and a text message
this is mine

my ejaculate
my shame
my crap
my sorry justifications

I hope you enjoy it!


---

I had an entire relationship in a dream
From the moment we met

to the end

Her roommate laid in my bed
They started school in the fall
We drank wine

They had to go with nowhere to go
We walked the streets at night in the rain
And watched the sun rise

When they returned in the fall they no longer lived together
The roommate found a summer boyfriend
She called me

We drank wine
We watched the sun rise

The radio psychically eavesdropped on our lovemaking
A candy raver at a party in my house
A relapse of glowing circle tracers
A large pitcher of orange juice
Her grandfather's will concerning vampires

I jumped off a bridge and floated down
I walked the streets in the rain

Until we broke up

She cut her phone number
into a triangle from scribbled orange trees
on the back of a postcard

I wrote mine down on the back of a faerie
sending it into the wind
as the sun rose at night in the rain

 

 

Being no master, I passed out in a master's bedroom.
a drinking contest with myself
- and lost.

You should have seen the other guy.

This is when
This is how
she arrives.

I like tiny women.
I like to make them fat.

 

 

I like how you inform me that my chin is poking into your ribs without either making a big exasperated production or just avoiding the telling completely and dealing with the discomfort.

I like that you make me as comfortably nervous as I do you.

I like the silly but fitting analogies we make instead of trying to express ourselves with vague nonspecific words that we hardly pretend to know the meanings of. Looking at things from the side is so much easier for me.

I like that you fight me when I give you shit.

What I do not like is not knowing what I do not like about you yet.

I will.

 

 

There is a sadness in him. He smiles and laughs until their backs are turned. Then, sulks to a corner, absorbed in his own dreary thoughts. His world is a quandary, a conundrum. He wants to be around people, yet he withdraws from them at any stolen moment. She buys him a beer and they chat for a time. She keeps him occupied. She occupies his time. She occupies his space.

 

 

I want to see something break, something that would really shatter. I looked around the room at the technology accumulated on shelves, at the windows, the full length mirror, the telephone. Instead of seeing these objects I saw their dollar signs to replace them in contrast with the electronic digits of a dwindled bank account. The higher the price, the more appetizing the immediate results are of destroying it. Unfortunately, the consequence of the rampage rose exponentially with each imaginary bill. I need something small, fairly cheap, easily replaceable, and insignificant . . .

. . . like a heart.

 

 

In New England I would sit in a cemetery to process my thoughts. They were cold. It was cold there. They are cold now.

 

 

The phonebook burned better than the newspaper.

Better is subjective. In this sense it does not mean quicker to catch or hotter or a higher flame. The subjective viewer thought more of the aesthetics and tenderness needed to maintain that flame. It occupied him with satisfactory results, which is what was needed at that time.

The newspaper went up with ease, distorting the face of a real estate agent and one of the more luxurious, yet reasonably priced homes on the market. The phonebook, however, took columns and lines of numbers and names into its incendiary world.

 

Thousands of lives, names and numbers, home addresses and businesses, an entire city went alight without any of the world noticing except him and her.

The pages folded over like a fiery bird in mid-glide, putting one flame into remission, while another took its place. The corners curled. The edges crisped. The residential and business sections mingled in a red, yellow, and blue delight with a touch of emerald occasionally making a cameo.

There would be no fire engines, no sirens, no ambulance, no hospitals. There would be no victims except for the two.

 

 

Did you know?
Why didn't you tell me?
prepare me?
I can't talk to you
I want to yell at you
Whose idea was it?
You? Them?
Did you even try to fight for me?
In the final scenes
As the cast and crew rolled
I have been erased
Left on the editting room floor
Just as I learned to accept
A smaller amount of credit
Even just a thank you
You gave me none
How can I trust you?
We shared more than a moment
And I have to wonder
If it was only
a moment shared with myself

 

 

Editors always want shots of people walking out of and into other scenes, which directors are usually happy to make for them.

 

 

Robbed
Unappreciated
Hurt
Defenseless
Disrespected
Bamboozled
Betrayed
Used
Spent
Discarded
Raped
Drained
Angry
Sad
Stupid
Dumb
Wounded
Jaded
Nauseous
Unworthy
Insecure
Fallen
Pushed
Screaming
Crying
Stoic
Dishonored
Untrusting
Lost
Alone
Cut
Stabbed
Left
Violated
Knotted
Small
Petty
Slighted
Insignificant

Loved.

 

 
 
 

 

something broken. something blue. something shattered. something new.

please.

something new.

 
 
 
 
 
published October 21st, 2011
 
 
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Interestingly enough all of the images used in this group show montage are from women with the exception of one guy. If art models life then this is just as good of a statement as any other considering these pieces were written about and because of several women and one guy (me). I loved and still love all of them, including the one guy, yet to think of them and our time then evokes a certain happy sadness consistent with remembering anything else from the past. Ben Harper sings, "How I long for the good ole days, but I'm so glad they're gone."

A common theme I originally went for was the burning phonebook, but I had to give up on that since there were, surprisingly, not enough interesting photos on flickr tagged with "burning" and "phonebook." I spread the theme to burning telephones and had to weed through the Lady Gaga images to find the ones with substance. I guess she has a song written about it. Again, we have the female, the phone, and fire. What is that about?

For me a phonebook is an immediate everyday symbol of our insignificance. We are only half a line of 6 point font in an unreasonably sized book with thin pages. A single epic novel of everything interesting in one life from beginning to end is usually less than the average phonebook. All our lives get in the grand alphebetical categorization of your town is a name, an address, and a number.

Among others, the phonebook symbolizes potential communication. Shouting out randomly into the void. Flipping through to a name, any name, someone you do not know, you can give them a call if you want. The phonebook is a list of strangers that live relatively near you. The telephone is the means with which to talk to these strangers.

Burning a phonebook has a statement of society or humanity being reduced to ashes. Following the previous symbolism, it is also an excercise of rejecting one's insignificance. For a title, "Stop Lying to Me" directs the attention of the viewer to a scorned relationship, which happens to be exactly what this entire post deals with. To have a list of names and numbers going up in flames suggests another person besides the artist and their specific audience is involved. That other person is uncertain, random, someone they have been calling or visiting at their home address without the knowledge of the character in the first person perspective. The artist wants to destroy that relationship, but only that one page.

"Book of Numbers" has a biblical feel. If she were to burn it I would think Revelations, but there it remains undisturbed, holy, a celebration of humanity through a list, an ordering of civilization through arbitrary alphebetism. The crease folding the cover over to the backside shows less care or reverance for this assortment of people and the pristine nature of the page showing feels either sacred or cold or both. Much of the original Old Testament Book of Numbers is a geneological series of he-begats and she-begats. The phonebook, the artist seems to say, is our newest bible, never used.

Why does "I can take you higher..." strike me? The legs? I do have a thing for striped stockings. No. Well, yes, but also no. Or, rather, not only. The character in the image is waiting by the phone. She is feeling good about herself telling the potential caller how great she would be for them. This is why I use that image first. It is filled with nervous promise. It is the waiting step on the front porch of the house of the next broken heart.

At least this is what I saw in these images when I chose them for these particular stories or poems or whatever they are. You may see something different and I am sure it is in there also. I thank all of the artists for allowing me to use their images and all of these readers who will probably come up with their own analysis. Feel free to share them.

October 20, 2011
Phonebook
Stop Lying to Me

by April Rose

aka: bumblebeerider / from the seed

visit her flickr photostream

visit her profile

Book of Numbers
Phonebook
Phone Burning

by Ike Faithful (aka: axemaniac)

visit his flickr photostream

visit his profile

"I can take you higher..."

by Tomorrow I'll Play God (aka Claudia)

visit her flickr photostream

visit her profile

and like her on facebook

 
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HEAD CONTENT FOR THIS PAGE
 
title: Once Upon a Darkness | dark poetry, snippets, and flash fiction | by tyson moore | stories of the flea
 
decription: Once Upon a Darkness | a fake relationhip and a drinking contest, broken hearts, sadness, and a burning phonebook | a series of poetry, snippets, and flash fiction from a dark period | by tyson moore | stories of the flea
 
tag list: eden starling, april rose, k4wea, m snilwar, ike faithful, tomorrow i'll play god, i can take you higher, book of numbers, phone burning, phonebook, stop lying to me, Dream, Drinking Contest, Break, Cemetery, Moment Shared, Editors, Directors, Loved, Something Newstories of the flea, storiesoftheflea, stories, flea, poetry, flash fiction, nano fiction, david tyson moore, tymora, insignificant, writings, musings, photography, art, fiction, realism, life, sentences, pictures
 

Creative Commons License

This work by david tyson moore is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License unless otherwise specified. Please give credit by including the web addresses of david tyson moore, Stories of the Flea, and Once Upon a Darkness. Permissions beyond the scope of this license may be obtained by contacting the author. See PROFILE for more info.

The image Phonebook used by permission of Eden Starling. For licensing information please visit their website.

The image Stop Lying to Me used by permission of April Rose . For licensing information please visit their website.

The image Book of Numbers used by permission of k4wea. For licensing information please visit their website.

The image Phonebook used by permission of M Snilwar . For licensing information please visit their website.

The image Phone Burning used by permission of Ike Faithful. For licensing information please visit their website.

The image I Can Take You Higher used by permission of Tomorrow I'll Play God. For licensing information please visit their website.

 
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I like faeries and the metaphor of zombies. I do not pretend to understand Chompski or Einstein's theory of special relativity. I think I have a firm grasp on Dasein, but can we ever really be sure? I write about my realities with fantasi twists. I twist my fantasies with realities. I have written entire books, movies, and full scale epics in my head. This is the collection of those thoughts onto less abstract medium.
 
 
 
 
         

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12/23/08
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11/06/07
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