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where we have fake relationships and a drinking contests, experience sadness, break hearts, and burn a phonebook |
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Once Upon a Darkness |
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by david tyson moore |
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Poetry? I hate poetry. I hate the slam poet I hate the diary poet I hate the blog poet Poetry? I hate poetry. my ejaculate I hope you enjoy it!
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I had an entire relationship in a dream to the end Her roommate laid in my bed They had to go with nowhere to go When they returned in the fall they no longer lived together We drank wine The radio psychically eavesdropped on our lovemaking I jumped off a bridge and floated down Until we broke up She cut her phone number I wrote mine down on the back of a faerie
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Being no master, I passed out in a master's bedroom. You should have seen the other guy. This is when I like tiny women.
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I like how you inform me that my chin is poking into your ribs without either making a big exasperated production or just avoiding the telling completely and dealing with the discomfort. I like that you make me as comfortably nervous as I do you. I like the silly but fitting analogies we make instead of trying to express ourselves with vague nonspecific words that we hardly pretend to know the meanings of. Looking at things from the side is so much easier for me. I like that you fight me when I give you shit. What I do not like is not knowing what I do not like about you yet. I will.
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There is a sadness in him. He smiles and laughs until their backs are turned. Then, sulks to a corner, absorbed in his own dreary thoughts. His world is a quandary, a conundrum. He wants to be around people, yet he withdraws from them at any stolen moment. She buys him a beer and they chat for a time. She keeps him occupied. She occupies his time. She occupies his space.
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I want to see something break, something that would really shatter. I looked around the room at the technology accumulated on shelves, at the windows, the full length mirror, the telephone. Instead of seeing these objects I saw their dollar signs to replace them in contrast with the electronic digits of a dwindled bank account. The higher the price, the more appetizing the immediate results are of destroying it. Unfortunately, the consequence of the rampage rose exponentially with each imaginary bill. I need something small, fairly cheap, easily replaceable, and insignificant . . . . . . like a heart.
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In New England I would sit in a cemetery to process my thoughts. They were cold. It was cold there. They are cold now.
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Better is subjective. In this sense it does not mean quicker to catch or hotter or a higher flame. The subjective viewer thought more of the aesthetics and tenderness needed to maintain that flame. It occupied him with satisfactory results, which is what was needed at that time. The newspaper went up with ease, distorting the face of a real estate agent and one of the more luxurious, yet reasonably priced homes on the market. The phonebook, however, took columns and lines of numbers and names into its incendiary world.
Thousands of lives, names and numbers, home addresses and businesses, an entire city went alight without any of the world noticing except him and her. The pages folded over like a fiery bird in mid-glide, putting one flame into remission, while another took its place. The corners curled. The edges crisped. The residential and business sections mingled in a red, yellow, and blue delight with a touch of emerald occasionally making a cameo. There would be no fire engines, no sirens, no ambulance, no hospitals. There would be no victims except for the two.
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Did you know?
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Editors always want shots of people walking out of and into other scenes, which directors are usually happy to make for them.
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Loved.
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something broken. something blue. something shattered. something new. please. something new. |
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published October 21st, 2011 |
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